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S | M | L | |
---|---|---|---|
L1 | 56 | 60 | 60 |
L2 | - | 68 | 60 |
L3 | 70 | 76 | 90 |
L4 | L0+102 | L0+114 | L0+142 |
L5 | L0+112 | L0+128 | L0+162 |
H1 | 25,2 | 30 | 31,5 |
H2 | 10 | 16 | 27 |
H4 | 20 | 31,5 | 50 |
H5 | 43 | 52,5 | 80,5 |
W2 | - | - | 27 |
W3 | 14 | 22 | 37 |
W5 | 18 | 23,5 | 38 |
Т1 | M5/Ø4 | M6/Ø5 | M6/Ø5 |
Т2 | - | М4 | М5 (4х) |
Т4 | Ø5 | Ø6 | Ø7 |
Т5 | Ø5 | Ø6 | Ø7 |
ЛинейкиУстройства цифровой индикации УЦИ (DRO)Оптические линейки
I love the L2000 so much. It has the warm vintage sound of the old Fenders while also offering the power and tonal versatility of more modern bass designs. The MFD pickups make it one of the most punchy and dynamic passive basses ever made. The rugged construction, hardware, and high quality tone woods give each note a lot of integrity and make the bass a joy to hold and play. Idk if it sounds too raw for modern players, is too complex for vintage players, or if it's just not very well known, but for some reason it doesn't get the attention it deserves. Oh well, the used market prices are cheap for US or Tribute L2000's which is great for those of us who want to buy one.
What a great looking and fabulous sounding bass ,that neck looks as thin as the neck on my old '66 Vox Astro IV.This has to be one of the most versatile basses on the market
Thanks, Steve. It's bass down, bass up in the direction you pointed out. Same with treble. Cut only controls, eh? Now back to playing my L-2000!
Why aren't these more prevalent? One of the best-sounding basses I've heard.
If you're going to demo a bass you might want to make sure it is set up properly first; all I can hear is the crazy fret buzz!